For what it’s worth, when I write these pieces for the magazine, I know in advance what the page-flow will be. In this case, it meant I was aware this would be the last of my reviews in the issue, so I tried to give it the sense of also rounding off my reviews thus far. A sort of ’till next month…‘ feeling.
I’ll get to it later, but I wasn’t especially upbeat coming into this series. That was only because the Christmas episode – which prompted an extremely positive reaction in general – left me cold (no pun). This, I thought, was representative of the new direction for Peter Capaldi’s final year.
It sort of was too. But, as it transpired, once Bill was locked into the equation, I really enjoyed what was to follow.
This review is from DWM #512.